Latin American curating is experiencing a moment of conceptual and methodological renewal. New curatorial discourses seek to decenter the traditional perspective, question Eurocentric canons, and open space for historically excluded voices.
Young curators and independent collectives are working from feminist, decolonial, community-based, and ecological perspectives. This shift is reflected in exhibitions that integrate archives, testimonies, performance, folk art, and ancestral knowledge.
Many current curatorial projects no longer focus solely on objects, but rather on processes, relationships, and participatory experiences. The role of the curator is transforming into that of a cultural mediator, researcher, and facilitator of social dialogue.
Latin American museums and biennials have adopted collaborative structures, where artists, communities, and activists participate in constructing the narrative.
These new discourses highlight the continent's cultural plurality and offer more complex interpretations of territory, identity, and memory.
Latamarte