Neoconcretism: When Art Invites Touch

Emerging in Rio de Janeiro in the late 1950s, the Neoconcrete movement revolutionized the way we interact with works of art. Breaking away from the coldness and rigidity of geometric abstraction, visionary artists such as Lygia Clark and Hélio Oiticica created pieces that demanded the physical participation of the public. Sculptures ceased to be untouchable objects on pedestals, evolving instead into Clark’s articulated metal "Bichos" (Creatures) or Oiticica’s colorful "Parangolés"—capes designed to be worn and danced in. This Brazilian avant-garde movement transformed the passive spectator into a co-creator, proving that art is a living, sensory experience, inseparable from the human body.

LATAMARTE